| 2023 | Theatre as Transitional Infrastructure: Techno-diversity in Zuni Icosahedron’s theatre. Performance Studies International annual conference, Witwatersrand School of the Arts, Johannesburg, South Africa, 2-5 August.
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| 2023 | Dramaturgical Landscapes. Literary Managers and Dramaturgs of the Americas annual conference, Banff Centre for Arts and Creativity, Banff, AB, Canada, 22-25 June. |
| 2022 | Dislocating Performance / Disorganising the Grid: Inventing a Zoom Dramaturgy in Forced Entertainment’s End Meeting for All. International Federation of Theatre Research annual conference, Reykjavik, Iceland (via Zoom), 20-24 June.
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| 2021 | Theatre and Performance – Hong Kong. Curated panel, Association of Theatre in Higher Education annual conference, Austin, TX, USA (via Zoom), 2-8 August. |
| 2021 | Dramaturgy of Extinction: sentient landscapes and spectral bodies in Kris Verdonck’s Conversations (at the end of the world) and SOMETHING (out of nothing). International Federation for Theatre Research annual conference, 13-18 July 2021, Galway, Ireland (via Zoom). |
| 2019 | Elastic Spaces: architectures of urban performance in Zuni Icosahedron and Rimini Protokoll. Performance Studies International annual conference, Calgary, AB, Canada, 4-7 July. |
| 2019 | Zuni Icosahedron’s cross-cultural experimental theatre. Society for Hong Kong Studies conference, University of Hong Kong, Hong Kong, 22 June. |
| 2019 | Consuming Subjects: blood, oil, and drugs in Ana Lily Amirpour’s A Girl Walk Home Alone at Night. Female Agency and Subjectivity in Film and Television conference, Bilgi University, Istanbul, Turkey, 11-13 April. |
| 2019 | Experimenting Urban Space: intercultural and intermedial encounters in Zuni Icosahedron’s Z/Z Twin Lab and Rimini Protokoll’s Remote Hong Kong. School of Performing Arts annual conference, University of Malta, Valetta, Malta, 13-15 March. |
| 2018 | Global City as Actor. American Society for Theatre Research annual conference, San Diego, CA, USA, 15-18 November. |
| 2018 | Creative City Networks and the Crossover Dramaturgy of Zuni Icosahedron. Performance Studies International annual conference, Daegu, Korea, 3-6 July. |
| 2018 | Architecture as Dramaturgy in the Theatre of Zuni Icosahedron. University of Malta School of Performing Arts annual conference, Valetta, Malta, 7-9 March. |
| 2017 | From Extinction to Eco-Cosmopolitics: Feathers in Popular Performance and Political Activism. American Society for Theatre Research annual conference, Atlanta, GA, USA, 16-19 November. |
| 2017 | Feathers and Other Actors: Toward a Political Ecology of Performance. International Federation of Theatre Research annual conference, São Paulo, Brazil, 10-15 July. |
| 2016 | Zenne Dancers and Burlesque Queens: The Uses of History in Contemporary Popular Performance. International Federation of Theatre Research annual conference, Stockholm, Sweden, 13-17 June. |
| 2015 | The Affective Labor of Social Change in Tony Kushner’s Caroline, or Change and Sarah Ruhl’s The Clean House. Association for Theatre in Higher Education annual conference, Montreal, QB, Canada, 29 July. |
| 2014 | Fantasies of Exposure: Representations of the Veil in Media and Popular Culture. American Society for Theatre Research annual conference, Baltimore, MD, USA, 20-23 November. |
| 2014 | Cabaret as Counterpublic: Metro Al-Madina as Utopian Space. Plenary paper, Beirut: Bodies in Public conference, American University of Beirut, Beirut, Lebanon, 9-11 October. |
| 2014 | Belly Dancing and the Enduring Fantasies of Femininity. Canadian Association of Theatre Research annual conference, St. Catherines, ON, Canada, 24-27 May. |
| 2014 | Family, Fantasy, and Fictions of Authority in And Baby Makes Seven and Who’s Afraid of Virginia Woolf? Comparative Drama conference, Baltimore, MD, USA, 3-5 April. |
| 2013 | Towards a History of Burlesque in Montreal. Canadian Association of Theatre Research conference, Victoria, BC, Canada, 1-4 June. |
| 2012 | The Texture of History in John Guare’s Free Man of Color. American Society for Theatre Research annual conference, Nashville, TN, USA, 1-4 November. |
| 2011 | Burlesque as Embodied Archive. Canadian Association for Theatre Research annual conference, Fredericton, NB, Canada, 31 May. |
| 2004 | Racialized Masculinities in David Henry Hwang’s and David Cronenberg’s M. Butterfly. Reading Across Cultures, Media, and Genders graduate student conference, Simon Fraser University, Burnaby, BC, Canada, 18 November. |
| 2004 | Abject Origins: Uncanny Strangers and Figures of Fetishism in Larissa Lai’s Salt Fish Girl. Equivocations graduate student conference, University of Victoria, Victoria, BC, Canada, 17 March. |
